Fitness Proposal In School

The Kevin Hays Trio, "You’ve Got a Friend" (2007).

pianist and composer Kevin Hays has recorded 10 CDs as a leader and also appears in dozens of recordings with a number of different jazz musicians. Included in their discography as a leader 3 critically acclaimed recordings to record for Blue Note Records. Your Seventh Sense was praised by the New York Times and recognized him as one of the "Top 40 Jazz Releases of the Year" from the Musician Magazine.
Kevin has performed and recorded with some of the most prominent and influential musicians in jazz. Among them are included Sonny Rollins, John Scofield, Benny Golson, Roy Haynes, Chris Potter, Al Foster, Joe Henderson, Buster Williams, Art Farmer and Joshua Redman.
Born May 1, 1968 in New York City, and raised in Connecticut, began studying piano at age 6 and was playing professionally at 15. At 17 he began playing with the great saxophonist Nick Brignola. After spending a year at the Manhattan School of Music, began touring the United States, Japan and Europe with numerous bands, among which include The Harper Brothers, Benny Golson, Joe Henderson and Eddie Gomez. In 1995 Sonny Rollins invited him to join his group, a year and a half later he began touring with guitarist John Scofield in his celebrated band Quiet.
Today, Kevin continues to perform worldwide in solo concerts and also with his trio, including bassist Doug Weiss and drummer Bill Stewart, and also with The Sangha Quartet, featuring Seamus Blake, Larry Grenadier and Bill Stewart. He also runs master classes in the U.S. and abroad.

allaboutjazz.com data from


Tracklist ---------
01. You've Got a Friend
02. Bridge Over Troubled Water
03. Fool on the Hill
04. Think of One
05. Sweet and Lovely
06. Nothing Like You
07. Cheryl

you enjoy

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WHORE OF HIS RACE OF HIS GRAND MOTHER OF CUL DE BITE OF HAIR shit! or "if you do not go outside my house last night"

In short, my connection got dropped 7am durant, le 29 janvier, un samedi soir devant ncis !

Et si il y a bien une chose qui me mets hors de moi c'est la technologie qu'en je ne peux rien y faire !

...

"L'art est dans ton slip - Shu'Bidou"




Ps : Je suis brune au faite ^^

What Are These Bumps In My Nose

Eliane Elias, "Bossa Nova Stories" (2008).

Eliane Elias (São Paulo, March 19, 1960) is a Brazilian pianist of classical and popular music, which approximates constantly to jazz and fusion of this with so-called world music, including bossa nova in their country of birth. Lives in New York.
inherited his musical talent from his mother, Lucy, also a classical pianist se interesaba por el jazz. Tras estudiar seis años en el Free Center of Music Apprenticeship en Sao Paulo, siguió estudiando técnica clásica con Amilton Godoy y Amaral Vieria. Ya de adolescente, Elias compuso sus primeros temas y empezó a actuar en clubs de jazz. Realizando una gira por Europa en 1981, conoció al bajista de jazz Eddie Gómez que la animó a viajar a Nueva York, donde estudió con Olegna Fuschi en la Juilliard School of Music.
La carrera profesional de Elias consiguió un avance importante cuando fue invitada a unirse al grupo Steps Ahead, formado por Michael Brecker, Peter Erskine, Mike Manieri y Eddie Gómez. Grabó un disco el grupo, Steps Ahead , en 1983. Tras abandonar el conjunto, began working with the trumpeter Randy Brecker with whom he later married and will record a duo album with him.
His next career move was to turn herself in leading their groups with whom he toured (counting with musicians such as Jack DeJohnette and Gomez, in his first trio, and Erskine and Marc Johnson in the second). His third trio featured Marc Johnson on bass and Satoshi Takeshi on drums.
His 1995 album Solos and Duets was made with Herbie Hancock. Although many of his recordings have only been instrumental, Elias has also added his voice on albums such as Eliane Elias Plays Jobim 1989. He also works regularly Toots Thielman con el y's Brazil Project as music director del group of Gilberto Gil.

de la Wikipedia

1. Girl from Ipanema
2. Chega de Saudade
3. More I See You
4. They Can not Take That Away from Me
5. Desafinado
6. Estate (Summer)
7. Day in Day Out
8. I'm Not Alone (Who Love You?)
9. Too Marvelous for Words
10. Superwoman
11. Bahia Falsa
12. Minha Saudade
13. Frog [The Frog]
14. Day by Day


Personnel: Eliane Elias: vocals and piano, Oscar Castro Neves: guitar, Marc Johnson: bass, Paulo Braga: drums and percussion; Toots Thielemans: harmonica (7, 13), Ivan Lins: vocal (8) ; Orchestra arranged and Conducted by Rob Mathes (1, 3, 5, 6, 8, 9, 14).

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Toyota Gear Shift Cover

Elek Bacsik, "Nuages" (ed. 2002).

Hungarian guitarist Elek Bacsik is a cousin of Django Reinhardt and this tradition continued to combine elements of swing and gypsy in a mode jazz expressive and coherent. Bacisk initially studied classical violin and played gypsy songs in Budapest, then passing the guitar and jazz. As a teenager, he recorded with saxophonist band Geza Szabo and trumpeter Jozsef Quitter, coming after touring Europe with the Mihaly Tabanyi band. Bacsick returned to Paris in 1959, and during the early and mid 60's recorded and played with American musicians, among them Art Simmons, Quentin Jackson, Lou Bennett and Dizzy Gillespie. He also headed his own bands sessions. Bacsik came to America in 1966 and worked between 1967 and 1974 along with Teresa Brewer, before producing his own sessions. Appeared at the Newport Jazz Festival 1974 and the Olympic Games Jazz Festival in Los Angeles in 1984.


1 Blue Rondo a la Turk (Brubeck) 6:16 2 Angel Eyes
(Brent, Dennis) 3:29
3 Godchild (Wallington) 3:54
4 Take Five (Desmond) 3:15 Willow Weep
5 for Me (Ronell) 4:25
6 Opus de Funk (Silver) 2:55 7
My Old Flame (Coslow Johnston) 4:07 8
On Green Dolphin Street (Kaper, Washington) 5:18 9
Nuages (Reinhardt) 3:06 10
Milestones (Davis) 3:06 11
Desafinado (Jobim, Mendoca) 2:43 12
Scrap (Antonio, Ferreira) 2:26 13
One Note Samba So (Jobim, Mendoca)
2:30 14 Stardust (Carmichael, Parish ) 2:07

Elek Bacsik Guitar
Pierre Michelot: doublebass
Kenny Clarke: Drums

(2,3,6,9):
Michel Gaudry: doublebass
Daniel Humair: Drums

la Salu del gran Diegooo!

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Joyce, "Feminina" (1980).

Joyce Silveira, a native of Rio de Janeiro, was born on January 13, 1948. Since Joyce began his career 30 years ago as a young man armed with a guitar, a crystalline voice, a huge talent as a composer and a clearly feminist commitment, until his nomination for a Grammy for his album Astronaut (1998) or that jewel that is Gafieira Modern (2001), has traveled a career that has helped bring Brazilian music in its own place now occupies in the international light music. Joyce began her recording career in 1968 y, de las muchas artistas que comenzaron en esa época, fue la única en utilizar composiciones propias, que se caracterizaban además por estar escritas desde una perspectiva sinceramente feminista.
Las canciones de Joyce han sido interpretadas y grabadas por los principales intérpretes de música brasileña, como Milton Nascimento, Elis Regina, Gal Costa y Astrud Gilberto. El redescubrimiento en los 90 de su album Feminina (1980), delicado tejido de folk y samba en un sencillo estilo acústico, le supuso el ganar una nueva generación de admiradores en Europa y Japón y ampliar el número de seguidores de una música que combina los ritmos brasileños, las armonías jazzísticas y con unas intelligent lyrics Bellisimo una gran expresividad voice. For Jobim, poco hombre en el exceso given al halago, una de las Joyce was great singers of All Time.

tracks
01 - Female
02 - Mysteries
03 - Clarean
04 - Banana
05 - Reviewing Friends
06 - This Woman
07 - Heart of a Child
08 - Color Brazilian
09 - Village of Ogun
10 - Compose

abrazote inmenso a mi dear tremendous Diego

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"The welfare of our little toes (the forgotten body)"

Parce qu'aujourd'hui j'ai essayé le docteur poisson ! Je me suis fait bisouiller les pieds pendant 20 minutes par plein de petits poissons et le verdict est no appeal! It's great, I have baby feet while its light weight and smooth and beautiful while I was relaxed sacrament. To the great I am ticklish I was relieved to see that very quickly gets used to the feeling and so I recommend it to everyone!

I went to "Angel Skin" in Lillebonne and really I'm going back because in addition to this amazing service, the reception was really friendly and a little tea feet in the Water is really nice =)

"L'art est dans ton slip - Shu'Bidou"

Ps : Bon en vrai le bac est beaucoup plus beau mais je suis une flemmarde =)

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"The world around you is as high vacuum where s can avoid the strident words of your tortured mind. "

Marion Cano Photographe

Une amie

Une artiste 

http://marioncanophotographe.wifeo.com/

If One Boobs Small And One Large

Bill Henderson, "Bill Henderson with the Oscar Peterson Trio" (1963).

Bill Henderson sings blues, ballads themes y del Swing, en la Tradicion Joe Williams and Ernie Andrews, but with a personality all its own. He began singing professionally in 1952, he performed in Chicago with Ramsey Lewis, moved to New York and began recording as a leader in 1958.
had a hit with "Mr. Blues" (recorded with Horace Silver) and backed him in a tour of the trio of Jimmy Smith. During his tenure at Vee-Jay (1959-61), among sidemen included Ramsey Lewis, Booker Little, Yusef Lateef, and Eddie Harris and, in 1963, Henderson appeared in full on this album, accompanied by the trio of Oscar Peterson.
Although he made another album later in 1965 (for Verve) and was with Count Basie in 1965 and 66, Bill Henderson never received in reality the fame his talent deserved. He settled in Los Angeles, worked as an actor and occasionally led a group that included the pianist Dave MacKay and pianist / vocalist Joyce Collins. Henderson, who recorded a couple of albums for Discovery in the 70's but very little since then, has appeared frequently in the area of Los Angeles and remains fully fit.
on this disc:
This CD brings us back to one of the highest points of the career of Bill. Since he settled in Los Angeles, Henderson never became a name more but it was actually one of the highest male singers who emerged in the late 50's. Accompanied empathically by Oscar Peterson Trio (consisting of Peterson on piano, bassist Ray Brown and drummer Ed Thigpen), Henderson is at his best on songs like "All or Nothing at All", "Gravy Waltz", "I've Got a Crush on You "and" The Folks Who Live on the Hill "are added to this final edition four previously unheard tracks.

Handbook by Scott Yanow for allmusic.com

1. You Are My Sunshine
2. The Lamp Is Low
3. All or Nothing At All
4. I Wish You Love
5. Gravy Waltz
6. A Lot of Livin'to Do
7. I See Your Face Before Me
8. I've Got A Crush on You
9. At Long Last Love
10. The Folks Who Live On The Hill
11. Baby Mine

12 Wild Love 13. Where Are You?
14. Charmaine
15. Young and Foolish
16. Stranger on the Shore

you enjoy

Cervix Is High And Soft Five Days Before Period

Enemy feline. GO TO RUSSIA

I sleep little, but that does not mean that I hate being awake.

I'm nice, I warned.

How Long Should A Male Genital Exam Take?

Dick Haymes, "Moondreams" (1957, ed. 2004 con bonus tracks).

Dick Haymes was one of the most splendid crooners of his era, near Crosby and Sinatra on classics like "It Can not Be Wrong", "Till the End of Time" and "It Might as Well Be Spring." Although he could not be paid in the golden decade of the 50 (due to alcoholism, problems with the government, some tempestuous relationships), Haymes continued performing and recording until muerte en 1980.
Nacido en Buenos Aires en 1918, Haymes fue hijo de padres ingleses, que en aquel momento estaban viviendo en Argentina. Tras la separación de sus padres, Dick fue criado por su madre en París, antes de que la Depresión derrumbara sus finanzas. Pasó el resto de sus años de formación en los Estados Unidos, donde su madre trabajó como cantante. Haymes hizo su propio debut profesional a los 15 años, cantando con una banda en un hotel en New Jersey durante unas vacaciones de verano. Dejó la escuela en 1933 para mudarse a Hollywood y trabajó como ayudante o como extra en varios filmes durante mediados de los 30. Después de escribir algunas canciones en 1939, se acercó hasta Harry James con deseos de the director is to buy them, although James was not impressed with his skills as a songwriter, Haymes hired a year later to replace Sinatra as a singer in his band.
During 1941 and 1942, Dick Haymes recorded some success with James, among which include "A Sinner Kissed an Angel" and "The Devil Sat Down and Cried." (His greatest success with James, "I'll Get By (As Long as I Have You)" was number one in 1944, three years after its recording.) Haymes also sang with Benny Goodman and Tommy Dorsey before signing with the Decca label in 1943. One of his first singles, "You'll Never Know," was number one in July 1943. Another, "It Can not Be Wrong ", was also a substantial success for the same period. In the film, Dick went from extra to starring roles in Hollywood, appearing most notably in the film State Fair , 1945, which achieved a successful winning Oscar with the song "It Might as Well Be Spring" from the same film.
Though he never achieved another first, Haymes spent much of the mid-40 near the tops with the songs "Put Your Arms Around Me , Honey, "" Laura "," Till the End of Time "and" That's for Me. "We also conducted a radio show with Helen Forrest, and starred in several other films after the success of State Fair.
Although success continued until the end of the decade, both the professional and personal life began to decline Haymes. He divorced his wife, actress Joanne Dru, began drinking a lot and mishandled finances. Many of his film appearances were deleted and, eventually, he was cast in the film and record contracts. A turbulent romance and a two-year marriage to Rita Hayworth just made matters worse, when it was joined by immigration issues and taxes, obviously resulted in a very low point of the singer's life.
He started his career back in 1955, thanks to a contract with Capitol Records, the label Main adult pop. Haymes recorded two LPs for Capitol, Rain or Shine and Moondreams, but remained haunted by the problem of alcoholism. After moving to Ireland in the early 60's, Haymes finally abandoned the habit of drinking and returned to recording with the album Now and Then , 1969, which alternated Haymes classics with more contemporary material. He returned to America in the 70's, performing in clubs and recording a live album with the label Cocoanut Grove. Last recorded in 1978 and lost his long battle with cancer two years later.

data from the AMG.

tracks
1 "If I Should Lose You" (Leo Robin, Ralph Rainger)
2 "You Don't Know What Love Is" (Don Raye, Gene De Paul)
3 "Imagination" (Jimmy Van Heusen, Johnny Burke)
4 "Skylark" (Hoagy Carmichael, Johnny Mercer)
5 "Isn't This a Lovely Day?" (Irving Berlin)
6 "What's New" (Bob Haggart, Johnny Burke)
7 "The Way You Look Tonight" (Dorothy Fields, Jerome Kern)
8 "Then I'll Be Tired of You" (E. Y. Harburg, Arthur Schwartz)
9 "I Like the Likes of You" (Vernon Duke, E. Y. Harburg)
10 "Moonlight Becomes You" (Jimmy Van Heusen, Johnny Burke)
11 "Between the Devil and the Deep Blue Sea" (Harold Arlen, Ted Koehler)
12 "When I Fall In Love" (Edward Heyman, Victor P. Young)

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FHD and me has found a new passion for Russian the Cayenne, a subtle blend of vodka and beer Pulco called White Russia \u0026lt;3

is "fair" too good and every time I'm in the third "just" stuffed (not to say peatedly as a barrel = D)

Dsl for the quality of the design but it is a photo taken from the fan page the Cayenne recess so pixelated that it's also the first Pokemon on Game Boy)

"Art is in your pants - Shu'Bidou"

Sub Urethal Cyst Removal Surgery

Makoto Ozone Trio, "Nature Boys" (1996).

Makoto Ozone, born in 1961, is a Japanese pianist jazz. He began playing the organ at 2 years old and at 7 was an improviser. Between 1968 and 1970 appeared on Japanese television with his father. After 12 years spent at the piano, struck by Oscar Peterson discs. In 1980 he entered the Berklee College of Music and later worked with Gary Burton. It also had its debut in 1983 before returning to his native Japan. Ozone has collaborated with vocalist Kimiko Itoh. Aparecieron como dúo en el Montreux Jazz Festival, y él produjo el álbum de ella Kimiko , que ganó el premio Swing Journal a vocalista japonesa en el 2000.

Tracklist

1. All Of You
2. But Beautiful
3. Lover Come Back To Me
4. Before I Was Born
5. Laughter In The Rain
6. Gorgeous
7. Christmas Song
8. Ornithology
9. Nature Boy

que lo disfrutes

How Long Do U Bleed If U Have An Ovarian Cyst

Nancy Sinatra, "The Essential Nancy Sinatra" (comp. 2006).

Nancy Sandra Sinatra Barbato (8 de junio de 1940; Jersey City, Nueva Jersey), más conocida as Nancy Sinatra, is an actress and singer. She is the daughter of the late Frank Sinatra with his first wife, Nancy Barbato.
with his father was the famous ballad Something stupid (1967), which years later they adapted Robbie Williams and Nicole Kidman. Although, possibly, Nancy is known for playing the catchy Sugar Town, Lady Bird or success These Boots Are Made for Walkin ' (1966). Lee Hazlewood, the composer of the success of the 60's, it produced 9 albums of Nancy and even recorded several songs on the album Nancy and Lee (1968): an example is Some velvet morning. A year earlier put voice the soundtrack of the fifth James Bond film Only Live Twice with the song You Only Live Twice.
Nancy became an icon of the moment cool. A physically attractive, elegant and timeless fashion advanced with short skirts for the time, Nancy was all made a model for teenagers who buy his records compulsively. Another of his successes, consisting of Sonny Bono and edited at first by Cher on her album T I Sonny Side of Cher - was Bang bang (My baby shoot me down). version that Nancy recorded in 1967, was used by Tarantino in Kill Bill and returned it to stardom.
In 2004 he released his latest album to date, Nancy Sinatra , with contributions from Bono, Morrissey, Jarvis Cocker and Jon Spencer Blues Explosion. The first single - Let me kiss you - was written by Morrissey himself. On May 11, 2006 received a star on the Walk of Fame in Hollywood.
The song These Boots Are Made for Walkin ', has also been covered by Jessica Simpson, was composed by Lee Hazlewood for himself. Although the song became a symbol of the emancipation of women in the 60's, had been quite a macho song if it were sung by Hazlewood. And that says something like "if you've left me, I will crush you with my boots." But Nancy, with a physical model and a mischievous one, got it a feminist anthem that Stanley Kubrick used as the soundtrack to Metal Jacket. The boots, then took a pacifist martial meaning.

of Wikipedia

Tracklist:

01 - Bang Bang (feat. Billy Strange) (2:41)
02 - Sugar Town (2:23)
03 - Somethin 'Stupid (Duet With Frank Sinatra) ( 2:39)
04 - The Highway Song (3:27)
05 - Kind Of A Woman (3:02)
06 - Love Eyes (2:37)
07 - Did You Ever (Duet With Lee Hazlewood) (2:55)
08 - Flowers In The Rain (2:37)
09 - In Our Time (2:38)
10 - Drummer Man (feat. Hal Blaine) (3:20)
11 - Lady Bird (Duet With Lee Hazlewood) (3:02)
12 - I Love Them All (The Boys In The Band) (2:54)
13 - These Boots Are Made For Walkin' (2:43)
14 - How Does That Grab You, Darlin' (2:31)
15 - Friday's Child (2:26)
16 - Jackson (Duet With Lee Hazlewood) (2:47)
17 - You Only Live Twice (2:57)
18 - Hook And Ladder (feat. Ry Cooder) (3:11)
19 - Some Velvet Morning (Duet With Lee Hazlewood) (3:42)
20 - So Long, Babe (3:05)
21 - God Knows I Love You (3:11)
22 - Here We Go Again (3:12)
23 - 100 Years (2:30)
24 - Let Me Kiss You (3:26)
25 - Machine Gun Kelly (3:20)
26 - Shot You Down (Audio Bullys Feat. Nancy Sinatra) (3:38)

que lo disfrutes

Drop Ceiling Under Mobile Home

Gerry Mulligan with Jane Duboc, "Paraíso" (1993).

Aunque el saxofonista Gerry Mulligan esté listado como el líder de este proyecto, es la vocalista Jane Duboc la verdadera estrella. El programa, orientado a la música brasileña, consiste en 8 originales de Mulligan (entre los que se incluyen "Tema pra Jobim", que lo encuentra tocando el piano, y "Willow Tree ") and 3 other numbers, with" Wave "the only standard. Duboc sings well, though his voice never hits the listener's memory, and Mulligan have brief solos and generally adheres to the musical context, we add a pair of rhythm sections by Brazilian musicians. A pleasant music remains, in general, as a historical curiosity of Gerry Mulligan discography.

adapted from the review of Scott Yanow

tracks
1. Paraiso
2. In Rio
3. Under A Star
4. The Sweet Albino
5.
Willow Tree 6. Embroidered
7. Tarde Em Itapoan
8. Amor Em Paz
9.
Wave 10. Topic
Pra Jobim 11. North Atlantic Run

credits
Gerry Milligan - Jane Duboc
Baritone Sax - Vocals
Emanuel Moreira - Guitar
Charlie Ernst - Piano
Rogerio Maio - Bass
Leo Traverse - Bass Duduk
DaFonseca - Drums
Peter Grant - Drums
Waltinho Anastacio - Percussion
Norberto Goldberg - Percussion


Recorded in New York in July of 1993.

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Inmate Visits Schedule On Rikers Island

I have a mood to break testicular

The moral of this design is that every princess has a period of rule strength in her that even Hulk would become all white and relaxes the sphincter.

j'vous breaks all the teeth and the breeze j'vous tailbone \u0026lt;3

Do not tickle the sleeping Viking

"Art is in your pants - Shu'Bidou"

Pokemon List Chaos Black

it is also the magic of Christmas.

As you may have noticed, I come out two weeks ; laziness intensively with a pile of pencil drawings to go all the wallpaper to my desktop. So with a little delay that I come to expose the problem of my life called "sticking to my two." Every year I pull my party dresses unwearable in the life of a normal human and forces me to impose on them Tight end not with picard frozen scallops.

But here's the rub, already limit last year, it is obvious that two sizes n ' have not been refused, but in an emergency you do with what was at hand, that's three days of celebration, alcohol and gifts my underwear exceeded 15 cm ; my tights (which shall not pay to pitch your record pullet)

Sur ce j’espère que vous avez tous passé de bonnes fêtes et une bonne année 2011 =)

"L'art est dans ton slip - Shu'Bidou"

Counter Strike Source Launch Option -high

Karrin Allyson, "Wild for You" (2004).

Although born in the state of Kansas, Karrin grew up in Omaha and in the area of the Bay Area Francisco, he learned to play classical piano and perfecting his technique as a vocal interpreter of folk and rock music in the Tomboy girl band.
graduated from the University of Nebraska in 1987 (specializing in piano), Allyson sang regularly at a Kansas City nightclub run by one of his uncles, who eventually became his workplace.
After signing with Concord Jazz in 1992, Allyson made her debut with I Did not Know About You , which was a great success. After that, it was to the accompaniment of a group of musicians from Kansas who became his usual: pianist Paul Smith, guitarists Danny Embrey and Rod Fleeman, bassist Bob Bowman and drummer Todd Strait.
His 1999 album, From Paris to Rio , contains songs in French and Portuguese, and covers a wide range stylistically from Jacques Brel to the samba and bossa nova. In 2001 he has probably been the biggest hit of his career in publishing, earning two Grammy nominations, Ballads: Remembering John Coltrane. Footprints In 2006 with , would also nominated for a Grammy for Best Jazz Vocal Album.
In this particular disc, Karrin is dedicated to reviewing and versioning songs that were monumental landmarks in the 70's. Thus, there are superb covers , ligeramente jazzeados, con una onda algo lounge , de Carly Simon, Cat Stevens, Joni Mitchell, Roberta Flack, Carole King, Elton John... Sin duda Karrin no es la mejor vocalista de nuestra era, y lo que ella aporta indudablemente es un oficio de aquellos, muchísima calidez, estilo y, sobre todo, un modo de frasear y de decir que pronto serán características suyas que la harán inconfundible entre muchas.
Todo un párrafo aparte requeriría el espectacular trabajo de arreglos y producción de Gil Goldstein, cerebro fundamental de este disco sumamente interesante.

Tracks
1. All I Want
2. Don't Let Me Be Lonely Tonight
3. Wild World
4. (Goin') Wild
For You Baby 5. Help Me
6. Sorry Seems To Be The Hardest Word
7. I Got Eyes
8. The Moon Is A Harsh Mistress
9. It's Too Late
10. Mind On My Man
11. The Right Thing To Do
12. Feel Like Makin 'Love
13. The First Time Ever I Saw Your Face

you enjoy

Gameshark Force Evolution Pokemon Gold

It's back!

N'empêche, ils m'ont sacrément manquée

  mes p'tits monstres de l'aide aux devoirs.

Peliculasde Latinasfamosas

Stan Getz & Luiz Bonfá, "Jazz Samba Encore!" (1963, con bonus tracks)

could say that Stan Getz and sensual lyricism of his tenor sax staged some of the most exciting and glorious passages of this remarkable and successful fusion of jazz and bossa-nova, which took place during the first half of the 60 some called jazz-samba. A period that was his moment of greatest glory and success, and Stan Getz knew to be surrounded by some of the leading creators and promoters of this sensual and warm sound of Brazilian origin, as Jobim, Luiz Bonfa and Joao Gilberto, in sessions high voltage and emotional intensity, yet resulted in an unexpected discs delicacy and beauty, like the wonderful Getz & Gilberto, of which we have discussed here, or that other great Jazz Samba Encore! envelopes filled with sinuous melodies, where Getz's sax looked lustfully hover between jumping and placid chords Luiz's guitar Bonfá, and the whispering voice of Maria Toledo woman at the time of Bonfá.
Jazz Samba Encore! was recorded in New York in February 1963, and is an essential step beyond its merger with Getz bossa, after the success that was a year before Jazz Samba, the disk began to popularize the bossa, and which together with the guitarist Charlie Bird recorded songs by Jobim, Bonfa and Vinicious de Moraes, among other renowned Brazilian composers. Jazz Samba Encore! was not the first album Getz recorded with Brazilian musicians, because in August of 62, had already recorded another of our favorite albums bossa and samba jazz, Big Band Bossa-Nova with Brazilian composer and arranger Gary McFarland, but Jazz Samba Encore! itself marked the first real approach Getz and the bossa more appealing to the minimalist bossa, melancholy tones of beautiful, carefree attitude, but happy, sensual and delicate voices whispering.
And the truth is I could not be otherwise, if who accompanied him on guitar and composed most of the songs Luiz Bonfá himself with the help point on the piano and arrangements, that other incunabula bossa, which is the essential Antonio Carlos Jobim. And if all this we add the melodious languid voice of Maria Toledo, with production kingpin Verve, Creed Taylor, and we have the equipment perefecto for a classic bossa you should not miss.
While it is true that the media coverage failed to reach the famous later Getz / Gilberto with Joao and Astrud Gilberto, Jazz Samba Encore! is another marvelous, instrumental gems that left us in a joyful and exciting placid melancholy as the excellent Sambalero, Morro Nao Tem Vez O or Ebony samba, beautiful vocal passages, by Maria Toledo, a wrenching sadness such as the beautiful Folly, and more vital as Saudade Ven Correndo , in addition to dance the samba exercises are about as So Danco Samba and Getz Um Abraço no. Small wonder, some forgotten, that you can hear the disc Verve page and set the tone of the resounding international success, a month later they recorded Getz and Joao Gilberto.

text taken from:
http://mr_pleasant.lacoctelera.net/post/2009/02/26/stan-getz-luiz-bonf-jazz-samba-encore-1963

Tracks:
1. Sambalero
2. So Danco Samba:: I Only Dance Samba
3. Folly: How Insensitive
4. O Morro Nao Tem Vez
5. Samba Two Notes: Two Note Samba
6. Flower Girl
7. Mania de Maria 8
. Saudade
Come Runnin 9. Getz
a hug 10. Tribute to Stan Getz, The - (second version):: Ebony Samba - (second version)
11. Ebony Samba - (first version, bonus track)

Recorded February 8, 9 and 27, 1963 at Webster Hall, New York.

Saxophone [Tenor] - Stan Getz
Bass - Don Payne (tracks: 5 to 8, 10, 11), George Duvivier (tracks: 1 to 4, 9), Tommy Williams (3) (tracks: 1 to 4, 9)
Drums - Dave Bailey (tracks: 8, 10), Jose Carlos * (tracks: 1 to 4, 9), Paulo Ferreira
Guitar - Antonio Carlos Jobim (tracks: 1 to 4, 9) Luiz Bonfa *
Vocals - Maria Toledo

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