 |
| Sculpture nature |
Monday, February 28, 2011
Sunday, February 27, 2011
Naruto Shippuuden Fakku
Herb Ellis & Ray Brown, "Soft Shoe" (1974).
This early Concord recording is unusual in a couple of ways. Both co-leaders, guitarist Herb Ellis and bassist Ray Brown, are backed not only by trumpeter Harry "Sweets" Edison (here looks very colorful) and drummer Jake Hanna, but also by the pianist George Duke in one of its few mainstream jazz recordings . The repertoire includes jazz versions of themes as rare as "Inka-Dinka-Doo" "Easter Parade" and "The Flintstones Theme" (theme from The Flintstones cartoon ) , the latter (que está basado en los cambios de acordes del familiar "I Got Rhythm") fue el primero de varios en transformarse de una melodía de cartoon (dibujo animado) al jazz. Adicionalmente, Brown ("Soft Shoe"), Edison y Ellis contribuyen con una pieza propia cada uno y, además, hay una versión de "On Green Dolphin Street" que está hecha por Brown y Ellis en formato de dueto. Recomendado.
(traducción libre de mi genial primo Guillermo, con agregados, sobre texto de Allmusic)
Tracks
1 - Inka Dinka Doo (Durante, Ryan) 4.48
2 - Soft Shoe (R. Brown) 5.17
3 - Edison Lights (H. Edison) 6.05
4 - Easter Parade (I. Berlin) 4.51
5 - On Green Dolphin Street (Kaper, Washington) 26.02
6 - Original Ellis (H. Ellis) 2.31
7 - The Flintstones Theme (L. Bryson, L. Goldberg, P. Shows) 2.6
Herb Ellis,
guitar Ray Brown, bass
Harry "Sweets" Edison, trumpet
George Duke, piano
Jake Hanna, drums
(traducción libre de mi genial primo Guillermo, con agregados, sobre texto de Allmusic)
Tracks
1 - Inka Dinka Doo (Durante, Ryan) 4.48
2 - Soft Shoe (R. Brown) 5.17
3 - Edison Lights (H. Edison) 6.05
4 - Easter Parade (I. Berlin) 4.51
5 - On Green Dolphin Street (Kaper, Washington) 26.02
6 - Original Ellis (H. Ellis) 2.31
7 - The Flintstones Theme (L. Bryson, L. Goldberg, P. Shows) 2.6
Herb Ellis,
guitar Ray Brown, bass
Harry "Sweets" Edison, trumpet
George Duke, piano
Jake Hanna, drums
Thursday, February 24, 2011
Terry Nappies Plastic Pants
Donald Fagen, "The Nightfly" (1982).
Portrait of the Artist as a young man, The Nightfly is a wonderful evocación de la vida estadounidense anterior a la era Kennedy. En las notas internas del álbum, Fagen describe a las canciones diciendo que éstas representan el tipo de fantasías que albergaba cuando adolescente durante los finales de los 50 y principios de los 60; y él transmite la naturaleza de esa época con sus materiales más personales y menos obtusos hasta el momento. Continuando con la modalidad pop-smooth jazz que privilegió en los últimos discos de Steely Dan, The Nightfly es exuberante y brillante, producido con el estilo cinematográfico de Gary Katz, romántico pero nunca sentimentalista; las canciones son como rebanadas de una telenovela suburbana, con sus cuentos de esperanzas space age (the hit "IGY") and fears of the Cold War (the wonderful "The New Frontier", a love song in a nuclear shelter) designed with a sleek and sophisticated style.
adapted from the review by Jason Ankeny
tracks
1. IGY
2. Green Flower Street
3. Ruby Baby
4. Maxine
5. New Frontier
6. The Nightfly
7. The Goodbye Look
8. Walk Between Raindrops
adapted from the review by Jason Ankeny
tracks
1. IGY
2. Green Flower Street
3. Ruby Baby
4. Maxine
5. New Frontier
6. The Nightfly
7. The Goodbye Look
8. Walk Between Raindrops
Wednesday, February 23, 2011
How Long Do Mud Terrain Radial Sxt Last
Souvenirs . Au Sahara pas de roses fleurs
 |
| PINK SAND Oasis Timimoun. Sahara |
Sunday, February 20, 2011
Area Of A Shaded Sector Of A Circle
Nina Simone, "Bittersweet: The Very Best of Nina Simone" (comp. 2000).
Eunice Kathleen Waymon
Eunice Kathleen Waymon (Tryon, United States, February 21, 1933 - Carry-le-Rouet, Francia, 21 de abril de 2003), Nina Simone fue una cantante, compositora y pianista estadounidense de jazz, blues, rhythm and blues y soul. Se la conoce con el sobrenombre de «High Priestess of Soul».
Estilísticamente, la palabra que mejor caracteriza a Nina Simone es eclecticismo. Su voz, con rango propio de una alto, se caracterizaba por su pasión, su breathiness (voz jadeante, sofocada, sin aliento) y su trémolo.
La influencia de Duke Ellington es patente en toda la obra de Nina, pero muy especialmente en cierto tipo de composiciones rebosantes de improvisación y de cercanía espiritual. Nina logra la complicidad del oyente con un empleo intencional de los silencios and minimizing the accompaniment. His voice sometimes slurred, but then screams and groans, conveying all the sensations that the human soul is capable of experiencing.
Great fighter for civil rights of people of African descent, fight it on many occasions expressed through his songs, Simone left the United States in 1969 after the assassination of Martin Luther King, weary of racial segregation against African Americans.
of complicated personality, came to be haughty and vulnerable, and strongly passionate. In the music industry had a reputation for temperamental, a characterization that Simone was taken very seriously. Although his personality was arrogant and distant, in their decades seemed to enjoy the approach to their audiences, telling stories and meeting requests.
Like other African American singers, Marian Anderson found a source of inspiration, and began singing in his local church, while showing a great talent with the piano, he started playing four years already. When it debuted publicly in a piano recital at age ten, his parents, who sat in the front row, were forced to move to other white workers occupy their places. Such conditions motivate later life to become involved in the Civil Rights Movement.
At seventeen years Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. With the support of several sponsors, including his former music teacher, he studied piano at the prestigious Juilliard School of Music in New York City, but the lack of resources prevented him from achieving his dream of becoming the first black pianist to U.S. concert. He later auditioned to study piano at the Curtis Institute, but was rejected. Simone was convinced it was rejected for being black. New York, his family moved to Philadelphia, where he tried to get a scholarship, but was also rejected by the color of their skin.
Then, Simone came to blues and jazz, having started on a nightclub in Atlantic City to help his family financially.
stage name Nina Simone adopted it in 1954, Nina (from a word in English girl) was the nickname given him a boyfriend and Simone took him by the French actress Simone Signoret, whom he had seen in the film Casque d'or.
He became known to a wider audience with its rendition of I Love You Porgy of George Gershwin, who became his only Top 40 hit the United States. Then would come the single My Baby Just Cares for Me (which would be a hit in 80 in England to be used in a commercial perfume Chanel No. 5).
At 60, Simone was involved in the Civil Rights Movement and recorded some political songs, including To Be Young, Gifted and Black (played later by Aretha Franklin and Donny Hathaway), Blacklash Blues, Mississippi Goddam ( in response to the murder of Medgar Evers and the terrorist attack on the church in Birmingham, Alabama in 1963 by white supremacists and that resulted in the deaths of four black girls), I Wish I Knew How It Would Feel to and be Free Pirate Jenny in Kurt Weill, a hotel situated in the south.
In 1961, Simone recorded a version of the traditional song House of the Rising Sun, also would record after Bob Dylan and The Animals. Other songs that made it famous were I Put a Spell on You, Here Comes the Sun of The Beatles, Four Women, I Shall Be Released and Is not Got No (I Got Life). Nina's versatility as an artist is evident throughout his music, which often had a simple equivalent to the trova. In the same concert, the topics ranged from a religious (gospel) to blues and jazz, on topics such as For All We Know , numbers de estilo europeo clásico y figuras de contrapunto. En 1968 el tema Sinnerman de Simone apareció en la película de Norman Jewison The Thomas Crown Affair, lo que llevó su música a audiencias mayores. La nueva versión de la película rodada en 1999 con Pierce Brosnan y Rene Russo volvió a incluir a Simone. Otras películas han utilizado Sinnerman en su banda sonora, como Inland Empire de David Lynch.
En septiembre de 1970, Simone abandonó Estados Unidos en dirección a Barbados, tras desacuerdos con agentes, compañías discográficas y con la Agencia de impuestos norteamericana (Internal Revenue Service), que ella atribuía the racism of American society. He returned in 1978, where he was wanted for tax evasion (he had refused to pay for several years in protest of the Vietnam War), so he returned to Barbados, where he maintained a relationship with Prime Minister Errol Barrow. In the 80 sang regularly at Ronnie Scott's jazz club in London. The singer and friend of Nina, Miriam Makeba, convinced her to go to live in Liberia. Later he lived in Switzerland and Holland before settling in Aix-en-Provence in southern France in 1992.
1992 saw Nina Simone's autobiography entitled I Put a Spell on You (ISBN 0-306-80525-1). In 1995, Simone allegedly he shot his neighbor's son with an air pistol as their laughter did not let her concentrate.
His companions were common during this time Lepoldo Fleming (percussion), Tony Jones (bass), Paul Robinson (drums), Xavier Collados (keyboards) and musical director Al Schackman (guitar).
Nina was one of the stars of festivals such as the Nice Jazz Festival 1997, the Thessalonica Jazz Festival in 1998.
In the Guinness Blues Festival in Dublin in 1999, his daughter, Lisa Celeste, acted as "Simone", singing a duet with her mother some issues.
Simone sang with English singer Raphael and participated in two plays by Disney, singing main themes of Aida and Nala in The Lion King .
On July 24, 1998 Nina Simone was the special guest at the party of Nelson Mandela's 80th birthday. On October 7, 1999 received an award for artistic achievement of a lifetime in Dublin.
In 2000 he received the title of Honorary Citizenship to Atlanta, the Diamond Award for Excellence in Music from the Association of African American Music in Philadelphia and the Honorable Musketeer Award from the Compagnie des Mousquetaires d'Armagnac in France.
died in his sleep in Carry-le-Rouet in 2003.
of Wikipedia.
Tracklist:
01. My Baby Just Cares For Me
02. Do not Smoke In Bed
03. I Loves You, Porgy
04. Nobody Knows You When You're Down And Out
05. Trouble In Mind
06.
Mississippi Goddam 07. I Put A Spell On You
08. Ne Me Quitte Pas
09. My Man's Gone Now
10. I Want A Little Sugar In My Bowl
11. Blues For Mama
12. To Love Somebody
13. Is not Got No - I Got Life
14. Do What You Gotta Do
15. To Be Young, Gifted And Black
16. Jelly Roll
Estilísticamente, la palabra que mejor caracteriza a Nina Simone es eclecticismo. Su voz, con rango propio de una alto, se caracterizaba por su pasión, su breathiness (voz jadeante, sofocada, sin aliento) y su trémolo.
La influencia de Duke Ellington es patente en toda la obra de Nina, pero muy especialmente en cierto tipo de composiciones rebosantes de improvisación y de cercanía espiritual. Nina logra la complicidad del oyente con un empleo intencional de los silencios and minimizing the accompaniment. His voice sometimes slurred, but then screams and groans, conveying all the sensations that the human soul is capable of experiencing.
Great fighter for civil rights of people of African descent, fight it on many occasions expressed through his songs, Simone left the United States in 1969 after the assassination of Martin Luther King, weary of racial segregation against African Americans.
of complicated personality, came to be haughty and vulnerable, and strongly passionate. In the music industry had a reputation for temperamental, a characterization that Simone was taken very seriously. Although his personality was arrogant and distant, in their decades seemed to enjoy the approach to their audiences, telling stories and meeting requests.
Like other African American singers, Marian Anderson found a source of inspiration, and began singing in his local church, while showing a great talent with the piano, he started playing four years already. When it debuted publicly in a piano recital at age ten, his parents, who sat in the front row, were forced to move to other white workers occupy their places. Such conditions motivate later life to become involved in the Civil Rights Movement.
At seventeen years Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. With the support of several sponsors, including his former music teacher, he studied piano at the prestigious Juilliard School of Music in New York City, but the lack of resources prevented him from achieving his dream of becoming the first black pianist to U.S. concert. He later auditioned to study piano at the Curtis Institute, but was rejected. Simone was convinced it was rejected for being black. New York, his family moved to Philadelphia, where he tried to get a scholarship, but was also rejected by the color of their skin.
Then, Simone came to blues and jazz, having started on a nightclub in Atlantic City to help his family financially.
stage name Nina Simone adopted it in 1954, Nina (from a word in English girl) was the nickname given him a boyfriend and Simone took him by the French actress Simone Signoret, whom he had seen in the film Casque d'or.
He became known to a wider audience with its rendition of I Love You Porgy of George Gershwin, who became his only Top 40 hit the United States. Then would come the single My Baby Just Cares for Me (which would be a hit in 80 in England to be used in a commercial perfume Chanel No. 5).
At 60, Simone was involved in the Civil Rights Movement and recorded some political songs, including To Be Young, Gifted and Black (played later by Aretha Franklin and Donny Hathaway), Blacklash Blues, Mississippi Goddam ( in response to the murder of Medgar Evers and the terrorist attack on the church in Birmingham, Alabama in 1963 by white supremacists and that resulted in the deaths of four black girls), I Wish I Knew How It Would Feel to and be Free Pirate Jenny in Kurt Weill, a hotel situated in the south.
In 1961, Simone recorded a version of the traditional song House of the Rising Sun, also would record after Bob Dylan and The Animals. Other songs that made it famous were I Put a Spell on You, Here Comes the Sun of The Beatles, Four Women, I Shall Be Released and Is not Got No (I Got Life). Nina's versatility as an artist is evident throughout his music, which often had a simple equivalent to the trova. In the same concert, the topics ranged from a religious (gospel) to blues and jazz, on topics such as For All We Know , numbers de estilo europeo clásico y figuras de contrapunto. En 1968 el tema Sinnerman de Simone apareció en la película de Norman Jewison The Thomas Crown Affair, lo que llevó su música a audiencias mayores. La nueva versión de la película rodada en 1999 con Pierce Brosnan y Rene Russo volvió a incluir a Simone. Otras películas han utilizado Sinnerman en su banda sonora, como Inland Empire de David Lynch.
En septiembre de 1970, Simone abandonó Estados Unidos en dirección a Barbados, tras desacuerdos con agentes, compañías discográficas y con la Agencia de impuestos norteamericana (Internal Revenue Service), que ella atribuía the racism of American society. He returned in 1978, where he was wanted for tax evasion (he had refused to pay for several years in protest of the Vietnam War), so he returned to Barbados, where he maintained a relationship with Prime Minister Errol Barrow. In the 80 sang regularly at Ronnie Scott's jazz club in London. The singer and friend of Nina, Miriam Makeba, convinced her to go to live in Liberia. Later he lived in Switzerland and Holland before settling in Aix-en-Provence in southern France in 1992.
1992 saw Nina Simone's autobiography entitled I Put a Spell on You (ISBN 0-306-80525-1). In 1995, Simone allegedly he shot his neighbor's son with an air pistol as their laughter did not let her concentrate.
His companions were common during this time Lepoldo Fleming (percussion), Tony Jones (bass), Paul Robinson (drums), Xavier Collados (keyboards) and musical director Al Schackman (guitar).
Nina was one of the stars of festivals such as the Nice Jazz Festival 1997, the Thessalonica Jazz Festival in 1998.
In the Guinness Blues Festival in Dublin in 1999, his daughter, Lisa Celeste, acted as "Simone", singing a duet with her mother some issues.
Simone sang with English singer Raphael and participated in two plays by Disney, singing main themes of Aida and Nala in The Lion King .
On July 24, 1998 Nina Simone was the special guest at the party of Nelson Mandela's 80th birthday. On October 7, 1999 received an award for artistic achievement of a lifetime in Dublin.
In 2000 he received the title of Honorary Citizenship to Atlanta, the Diamond Award for Excellence in Music from the Association of African American Music in Philadelphia and the Honorable Musketeer Award from the Compagnie des Mousquetaires d'Armagnac in France.
died in his sleep in Carry-le-Rouet in 2003.
of Wikipedia.
Tracklist:
01. My Baby Just Cares For Me
02. Do not Smoke In Bed
03. I Loves You, Porgy
04. Nobody Knows You When You're Down And Out
05. Trouble In Mind
06.
Mississippi Goddam 07. I Put A Spell On You
08. Ne Me Quitte Pas
09. My Man's Gone Now
10. I Want A Little Sugar In My Bowl
11. Blues For Mama
12. To Love Somebody
13. Is not Got No - I Got Life
14. Do What You Gotta Do
15. To Be Young, Gifted And Black
16. Jelly Roll
Saturday, February 19, 2011
Mario Salieri Watch Free
Tony O'Malley, "My Foolish Heart" (2005).
606 
606
perennial Artist Jazz Club in London, where his band often features some of the musicians promisorios del funk y el jazz, Tony O'Malley tiene una voz totalmente, fuertemente rasposa y unas ganas de cantar que realmente contagian energía, humor, ánimo y placer de vivir la música.
Según anduve averiguando, Tony es más que nada conocido por haber fundado una legendaria banda británica funky con sus amigos, que se llamó Kokomo y, pese a que ya son varios sus discos solistas es, para muchos, un artista de culto y, para la mayoría, un total desconocido.
Lo que hace Tony a mí me parece realmente muy, muy valioso. Dejo en claro desde el principio que vas a escuchar a un cantante ducho en el funk y en el soul, y si versiona cosas tan disímiles como Ray Charles, standards de jazz o temas de los Beatles, lo hace con muchísimo respeto pero (enfatizo) con total libertad.
No tenía el placer de conocerlo a Tony y ahora es un disco que escucho con mucho placer, me da alegría, bienestar, diversión, y me gratifica ver un ejemplo de música "easy-listening" (qué feo el rótulo ese, no?) tan bien tocado, producido, con tanta armonía, fuerza y oficio. A veces me pregunto por qué el mercado discográfico inventa versiones de bossa y de jazz tan brutalmente mierdosas, poniendo a la mayoría de sus mediocres artistas-figuritas tan en aprietos, habiendo ejemplos tan enaltecedores y gratificantes como éste de Tony.
En fin: Escuchalo. No es un disco de jazz para jazzeros strict or orthodox, but neither is for those who love an edgier contemporary jazz and avant-garde, from one point of view, I can imagine that a disk is not going to love the funky-addicts, the kind of repertoire to choose versioning Tony ... I love the dancing around Diego walks around with headphones unplugged or breast from which Uncle Charles brought it, and you ... finally .... see, see ... Tracks
1 Steppin 'Out With My Baby
2 If I Fell 4
3
Smile Hey, Good Lookin' My Foolish Heart
5 6 Maybe It's Because I'm a Londoner
7 Rockin 'Chair
8 I Can 't Give You Anything But Love, Baby
9 Is not This a Lovely Day?
10 Georgia On My Mind
11 Bewitched, Bothered & Bewildered
12 Deep, Deep Trouble
13 Have Yourself a Merry Little Christmas
Según anduve averiguando, Tony es más que nada conocido por haber fundado una legendaria banda británica funky con sus amigos, que se llamó Kokomo y, pese a que ya son varios sus discos solistas es, para muchos, un artista de culto y, para la mayoría, un total desconocido.
Lo que hace Tony a mí me parece realmente muy, muy valioso. Dejo en claro desde el principio que vas a escuchar a un cantante ducho en el funk y en el soul, y si versiona cosas tan disímiles como Ray Charles, standards de jazz o temas de los Beatles, lo hace con muchísimo respeto pero (enfatizo) con total libertad.
No tenía el placer de conocerlo a Tony y ahora es un disco que escucho con mucho placer, me da alegría, bienestar, diversión, y me gratifica ver un ejemplo de música "easy-listening" (qué feo el rótulo ese, no?) tan bien tocado, producido, con tanta armonía, fuerza y oficio. A veces me pregunto por qué el mercado discográfico inventa versiones de bossa y de jazz tan brutalmente mierdosas, poniendo a la mayoría de sus mediocres artistas-figuritas tan en aprietos, habiendo ejemplos tan enaltecedores y gratificantes como éste de Tony.
En fin: Escuchalo. No es un disco de jazz para jazzeros strict or orthodox, but neither is for those who love an edgier contemporary jazz and avant-garde, from one point of view, I can imagine that a disk is not going to love the funky-addicts, the kind of repertoire to choose versioning Tony ... I love the dancing around Diego walks around with headphones unplugged or breast from which Uncle Charles brought it, and you ... finally .... see, see ... Tracks
1 Steppin 'Out With My Baby
2 If I Fell 4
3
Smile Hey, Good Lookin' My Foolish Heart
5 6 Maybe It's Because I'm a Londoner
7 Rockin 'Chair
8 I Can 't Give You Anything But Love, Baby
9 Is not This a Lovely Day?
10 Georgia On My Mind
11 Bewitched, Bothered & Bewildered
12 Deep, Deep Trouble
13 Have Yourself a Merry Little Christmas
Thursday, February 17, 2011
Swot Analyse Dolce And Gabbana
Souvenir...Jardin fleuri a Timimoun en 1958
 |
| I walked my daughter here. has Timimoun Elsewhere, sand ............. Timimoun is an oasis in the south of the Sahara Algerien |
Tuesday, February 15, 2011
Dehydrated Food Recipes For Backpacking
k.d. lang, "Hymns of the 49th. Parallel" (2004).
Kathryn Dawn Lang
Kathryn Dawn Lang
, better known as kd lang, singer and songwriter is a winner of many awards, born in Edmonton, Alberta, Canada. Lang has become a star thanks to the remarkable power of his voice, perfect, rich, and has worked with big names from various genres, such as Roy Orbison, Bonnie Raitt, Madeleine Peyroux and Tony Bennett.
Hymns of the 49th Parallel a dream come true pattern of kd lang, to create a songbook (song) in Canada. On the album, the first record for Nonesuch Records, she pays tribute to Canadian artists, among whom are included Joni Mitchell, Leonard Cohen, Neil Young, Jane Siberry, Ron Sexsmith and Bruce Cockburn.
Was homesick that drove kd lang, resident and for a while in Los Angeles, to make this campaign by the country's northern neighbor, or just a good idea? All Canadian content has long been a pillar of the Canadian media, but few people have chosen their material with one hand so refined and aesthetic as high. Certainly the singer away from his country, has taken his work to create a sophisticated tribute to his Canadian roots, the elegantly reinterpreting 11 songs struck by some of his more illustrious compatriots. The idiosyncratic singer makes "Bird on a Wire" a poignant lament Cohen explored in the song monochromatic shades of pain that does not exist in the original, while the version of "Helpless" by Neil Young anathema transforming it into a captivating and comfort memory sounds never helpless (helpless ). A great love letter to his brothers, complete with a clever orchestration and bereft.
tracks
1. After the Gold Rush (Young)
2. Simple (lang / Piltch)
3. Helpless (Young)
4. A Case of You (Mitchell)
5. The Valley (Siberry)
6. Hallelujah (Cohen)
7. One Day I Walk (Cockburn)
8. Fallen (Sexsmith)
9. Jericho (Mitchell)
10. Bird on a Wire (Cohen)
11. Love Is Everything (Siberry)
Hymns of the 49th Parallel a dream come true pattern of kd lang, to create a songbook (song) in Canada. On the album, the first record for Nonesuch Records, she pays tribute to Canadian artists, among whom are included Joni Mitchell, Leonard Cohen, Neil Young, Jane Siberry, Ron Sexsmith and Bruce Cockburn.
Was homesick that drove kd lang, resident and for a while in Los Angeles, to make this campaign by the country's northern neighbor, or just a good idea? All Canadian content has long been a pillar of the Canadian media, but few people have chosen their material with one hand so refined and aesthetic as high. Certainly the singer away from his country, has taken his work to create a sophisticated tribute to his Canadian roots, the elegantly reinterpreting 11 songs struck by some of his more illustrious compatriots. The idiosyncratic singer makes "Bird on a Wire" a poignant lament Cohen explored in the song monochromatic shades of pain that does not exist in the original, while the version of "Helpless" by Neil Young anathema transforming it into a captivating and comfort memory sounds never helpless (helpless ). A great love letter to his brothers, complete with a clever orchestration and bereft.
tracks
1. After the Gold Rush (Young)
2. Simple (lang / Piltch)
3. Helpless (Young)
4. A Case of You (Mitchell)
5. The Valley (Siberry)
6. Hallelujah (Cohen)
7. One Day I Walk (Cockburn)
8. Fallen (Sexsmith)
9. Jericho (Mitchell)
10. Bird on a Wire (Cohen)
11. Love Is Everything (Siberry)
Monday, February 14, 2011
What Does A Mississippi River Boat Look Like
I'm afraid to create a wave of suicides but still launches j'me
B onne S Is not V alentin
(dsl for quality)
"Art is dans ton slip - Shu'Bidou"
Sunday, February 13, 2011
Best Pokemon Rom Cydia Sources
Eden Atwood, "My Ideal" (2000).
jazz singer Eden Atwood, of Chicago, has released 4 albums for the Concord Jazz label showing their reverence for the American song popular, and his talent for interpretation. Born in Memphis, raised in Montana, and currently living and working in Chicago, the songs chosen by the then twentysomething Eden, and what makes them underline their status as singular talent that will surely grow in coming years. In his enthusiasm adds a great vocal work. Tracklist -----------
01.Skylark
02.This Is There
New
03.Hey 04.Smile
05.My Ideal
06.Witchcraft
07.Say It Isn ' t So
08.A Song For You
09.Nothing Ever Changes My Love For You
01.Skylark
02.This Is There
New
03.Hey 04.Smile
05.My Ideal
06.Witchcraft
07.Say It Isn ' t So
08.A Song For You
09.Nothing Ever Changes My Love For You
Saturday, February 12, 2011
Velveeta Cheese & Rotel With Chicken Commercial
Bud Powell, "Bud Plays Bird" (1957)
Just as Thelonious Monk happened to illuminate the modern jazz scene through compositions are not subject to any particular model, Bud Powell (1924-1966) gave the fundamental keys of the new language piano grasp without tangible references. Even today, the summit is unsurpassed technical bebop piano and is remembered as the most influential musicians of this movement, after Charlie Parker, but ahead of everyone else, including Dizzy Gillespie.
His childhood was saturated with music, his older brother played the trumpet professionally and violin and his grandfather, Zachary, was the best flamenco guitarist in the United States. Her father, pianist stride attached style, supported his early vocation and gave the first lectures. Their progress was spectacular and at that time, was frequently seeing him play with his friend, Elmo Hope, compositions of Bach and other classics. It was not until 1939, when Powell got his first major contract with the Royals Sunset Valaida Snnow singer and in 1939 he recorded his first album titled The Reverse Changers for the Duke label and under the leadership of saxophonist Frank Sokolov.
It was not until 1944 when, inspired by Thelonious Monk, he joined the Cootie Williams Orchestra and recorded very brief one Blue Garden Blues, first real sign of his colossal talent. That same year he suffered his first arrest for public scandal and the following year received a brutal beating by Philadelphia police that left him touched presumably forever. His psychological disorders were reproduced and sent to a psychiatric hospital in Long Island. In 1946, he recovered, he joined the small combo of bassist John Kirby and chance did that little training was hired in Minton's Playhouse in Harlem, the "temple" of bebop, where Powell contacted the staff of that movement, which allowed participation between 1946 and 1947 in a good number of jam sessions with Dexter Gordon, Jay Jay Johnson, Sonny Stitt, Kenny Clarke and Sarah Vaughan, among others.
His debut as a leader took place on January 10, 1947 for the Three Deuces small label, and in May of that year, he recorded the only studio to record with Charlie Parker's Savoy. A long hiatus of two years, mostly consumed in the Creedmore Sanatorium boarding school, where he even electro-shock treatment, gave way, paradoxically, his most fertile artistic period. As of August 8, 1949, under the supervision of Alfred Lion and Francis Wolff, Bud Powell left in the coffers of the stamp Blue Note another vision of modern piano perfectly compatible with that just two years earlier had made Thelonious Monk. After being admitted again for seventeen months in another psychiatric hospital in February 1953 was discharged and formed a steady trio with the bassist George Duvidier and drummer Art Taylor.
On May 15, 1953, an historic event in the professional life of Bud Powell. Along with Charlie Parker, Dizzy Gillespie, Charles Mingus and Max Roach, participated in a massive concert at Massey Hall in Toronto in Canada, considered the swan song of bebop and perhaps the best jazz concert of all time. Thereafter, Powell began to enter a phase of profound mental deterioration almost irreversible, but in 1956 did a European tour with Miles Davis, Lester Young and the Modern Jazz Quartet by Milt Jackson. Repeated visits to the old continent in 1959, but this time he was five years. He was accompanied Altevia Edwards, better known as Buttercup and chose Paris as a place of residence.
received with the honors of a jazz great, formed a regular trio known as the Three Bosses with bassist Pierre Michelot and drummer Kenny Clarke, with whom were the main attraction of Paris Blue Note club. It was a period in his life thanks to the care that is provided Francis Paudras, un extraordinario aficionado al jazz y posterior autor de la biografía de Powell, The Dance Of The Infidels . Pero aquejado de tuberculosis aguda, incapaz de dejar la bebida, y nostálgico de New York, Bud Powell regresó a los Estados Unidos. Su reaparición en el mítico Birdland provocó uno de los momentos dulces de su carrera. Siete minutos de ininterrumpido aplauso demostraron que sus incondicionales no lo habían olvidado, pero aquella reaparición fue sólo un cruel espejismo. Sus dos últimos años los pasó en un apartamento de Brooklyn acompañado por su hija Celia.
Ya casi al final de su vida, participó en 1965 en sendos conciertos celebrados en el Town Hall y en el Carnegie Hall, the latter in honor of the tenth anniversary of the death of Charlie Parker, but the July 31, 1966 died at Kings County Hospital in Brooklyn. More than 5000 people took to the streets spontaneously to honor him, and his burial Barry Harris and Lee Morgan played in his honor. As Francis said Paudras: ".... Bud Powell had two personalities. One urged him to fight and overcome their problems, to play and create music. The other was dragging him to self-destruction, the utter lack of self-respect , and the latter would win the game. "
In 1986, French film director Bertrand Tavernier film was an extraordinary recoió with absolute cleanliness and fidelity Bud Powell Parisian stage. His film , Round Midnight, starring in his starring role by saxophonist Dexter Gordon is one of the great jazz-related films.
www.apoloybaco.com
Tracks 1. Big Foot (Long Version)
2. Slow 'Nuff
3. Buzzy
4. Yardbird Suite
5. Relaxin 'at Camarillo
6. Confirmation
7. Billie's Bounce
8. Koko
9. Barbados
10.Dewey Square
11.Moose the Mooch
12.Ornithology
13.Scrapple From the Apple
14. Salt Peanuts
15. Big Foot (Short Version)
piano: bud powell / bass: George Duvivier / drums: taylor Arthor
His childhood was saturated with music, his older brother played the trumpet professionally and violin and his grandfather, Zachary, was the best flamenco guitarist in the United States. Her father, pianist stride attached style, supported his early vocation and gave the first lectures. Their progress was spectacular and at that time, was frequently seeing him play with his friend, Elmo Hope, compositions of Bach and other classics. It was not until 1939, when Powell got his first major contract with the Royals Sunset Valaida Snnow singer and in 1939 he recorded his first album titled The Reverse Changers for the Duke label and under the leadership of saxophonist Frank Sokolov.
It was not until 1944 when, inspired by Thelonious Monk, he joined the Cootie Williams Orchestra and recorded very brief one Blue Garden Blues, first real sign of his colossal talent. That same year he suffered his first arrest for public scandal and the following year received a brutal beating by Philadelphia police that left him touched presumably forever. His psychological disorders were reproduced and sent to a psychiatric hospital in Long Island. In 1946, he recovered, he joined the small combo of bassist John Kirby and chance did that little training was hired in Minton's Playhouse in Harlem, the "temple" of bebop, where Powell contacted the staff of that movement, which allowed participation between 1946 and 1947 in a good number of jam sessions with Dexter Gordon, Jay Jay Johnson, Sonny Stitt, Kenny Clarke and Sarah Vaughan, among others.
His debut as a leader took place on January 10, 1947 for the Three Deuces small label, and in May of that year, he recorded the only studio to record with Charlie Parker's Savoy. A long hiatus of two years, mostly consumed in the Creedmore Sanatorium boarding school, where he even electro-shock treatment, gave way, paradoxically, his most fertile artistic period. As of August 8, 1949, under the supervision of Alfred Lion and Francis Wolff, Bud Powell left in the coffers of the stamp Blue Note another vision of modern piano perfectly compatible with that just two years earlier had made Thelonious Monk. After being admitted again for seventeen months in another psychiatric hospital in February 1953 was discharged and formed a steady trio with the bassist George Duvidier and drummer Art Taylor.
On May 15, 1953, an historic event in the professional life of Bud Powell. Along with Charlie Parker, Dizzy Gillespie, Charles Mingus and Max Roach, participated in a massive concert at Massey Hall in Toronto in Canada, considered the swan song of bebop and perhaps the best jazz concert of all time. Thereafter, Powell began to enter a phase of profound mental deterioration almost irreversible, but in 1956 did a European tour with Miles Davis, Lester Young and the Modern Jazz Quartet by Milt Jackson. Repeated visits to the old continent in 1959, but this time he was five years. He was accompanied Altevia Edwards, better known as Buttercup and chose Paris as a place of residence.
received with the honors of a jazz great, formed a regular trio known as the Three Bosses with bassist Pierre Michelot and drummer Kenny Clarke, with whom were the main attraction of Paris Blue Note club. It was a period in his life thanks to the care that is provided Francis Paudras, un extraordinario aficionado al jazz y posterior autor de la biografía de Powell, The Dance Of The Infidels . Pero aquejado de tuberculosis aguda, incapaz de dejar la bebida, y nostálgico de New York, Bud Powell regresó a los Estados Unidos. Su reaparición en el mítico Birdland provocó uno de los momentos dulces de su carrera. Siete minutos de ininterrumpido aplauso demostraron que sus incondicionales no lo habían olvidado, pero aquella reaparición fue sólo un cruel espejismo. Sus dos últimos años los pasó en un apartamento de Brooklyn acompañado por su hija Celia.
Ya casi al final de su vida, participó en 1965 en sendos conciertos celebrados en el Town Hall y en el Carnegie Hall, the latter in honor of the tenth anniversary of the death of Charlie Parker, but the July 31, 1966 died at Kings County Hospital in Brooklyn. More than 5000 people took to the streets spontaneously to honor him, and his burial Barry Harris and Lee Morgan played in his honor. As Francis said Paudras: ".... Bud Powell had two personalities. One urged him to fight and overcome their problems, to play and create music. The other was dragging him to self-destruction, the utter lack of self-respect , and the latter would win the game. "
In 1986, French film director Bertrand Tavernier film was an extraordinary recoió with absolute cleanliness and fidelity Bud Powell Parisian stage. His film , Round Midnight, starring in his starring role by saxophonist Dexter Gordon is one of the great jazz-related films.
www.apoloybaco.com
Tracks 1. Big Foot (Long Version)
2. Slow 'Nuff
3. Buzzy
4. Yardbird Suite
5. Relaxin 'at Camarillo
6. Confirmation
7. Billie's Bounce
8. Koko
9. Barbados
10.Dewey Square
11.Moose the Mooch
12.Ornithology
13.Scrapple From the Apple
14. Salt Peanuts
15. Big Foot (Short Version)
piano: bud powell / bass: George Duvivier / drums: taylor Arthor
Friday, February 11, 2011
Dish Dual Receiver Diagram
Bleu comme ses yeux bleus
 |
| GABRIEL almost 18 years today and beautiful blue eyes |
Thursday, February 10, 2011
Pruritus Ani How To Treat
J'ai gagne ! I am the winner !
Assigns by Giulia
who loves cats like me
THANK Giulia.
"Giulia's comments"
Do not miss his blog
http://lesproposdegiulia.blogspot.com/ GOOD DAY.
who loves cats like me
THANK Giulia.
"Giulia's comments"
Do not miss his blog
http://lesproposdegiulia.blogspot.com/ GOOD DAY.
Wednesday, February 9, 2011
Nike Shox Monster Baseball Cleats Size 12
darling what do you do? Ba j'dessine a cock the ...
"Des fois quand on a pas d'inspiration ou qu'on a la flemme de faire un dessin trop compliquer."
Voila les aventures de Super ZIZI, j'ai un peu honte mais je ne savais pas quoi dessiner ce soir et c'est bien connu la première chose qu'on griffonne quand on s’emmerde c'est des bites =) Et qui sait peu être qu'il y en aura d'autres et même plein d'autres hahahahaha
PS: Who has decreed that the poodle was Glamour? Never
of life j'mets my towel back in there!
"Art is in your pants - Shu'Bidou"
Tuesday, February 8, 2011
How Soon After Drinking Can I Take My Ambien?
Facades de Restaurants Souvenirs de New Orleans
 |
| We are all small, walking on the sidewalk in front of this restaurant. The characters in the balcony are FALSE: decor painted |
 |
| My family seems "liliput" next to the giant face. |
Sunday, February 6, 2011
Wireless Xbox Controller Op Pc
Nina Simone, "Love Songs" (comp. 2004)
Eunice Kathleen Waymon
Eunice Kathleen Waymon (Tryon, United States, February 21, 1933 - Carry-le-Rouet, France, April 21 2003), Nina Simone was a singer, songwriter and pianist of jazz, blues, rhythm and blues and soul. It is known by the nickname of "High Priestess of Soul."
Stylistically, the word that best characterizes Nina Simone's eclecticism. Her voice, with its own range of high, was characterized by passion, breathiness (voice gasping, choking, gasping for breath) and tremolo.
Duke Ellington's influence is evident throughout the work of Nina, but especially in certain types compositions full of improvisation and spiritual closeness. Nina manages the complicity of the listener with an intentional use of silence and minimizing the accompaniment. His voice sometimes slurred, but then screams and groans, conveying all the sensations that the human soul is capable of experiencing.
Great fighter for civil rights of people of African descent, fight it on many occasions expressed through his songs, Simone left the United States in 1969 after the assassination of Martin Luther King, weary of racial segregation against African Americans.
of personality complicated, came to be haughty and vulnerable, and strongly passionate. In the music industry had a reputation for temperamental, a characterization that Simone was taken very seriously. Although his personality was arrogant and aloof, in his last decades seemed to enjoy the approach to their audiences, telling stories and meeting requests.
Like other African American singers, Marian Anderson found a source of inspiration, and began singing in his local church, while showing a great talent with the piano, he started playing four years already. When it debuted publicly in a piano recital at age ten, his parents, who sat in the first row, were forced to move to other white workers occupy their places. Such conditions motivate later life to become involved in the Civil Rights Movement.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. With the support of several sponsors, including his former music teacher, he studied piano at the prestigious Juilliard School of Music in New York City, but the lack of resources prevented him from achieving his dream of becoming the first black pianist to U.S. concert. He later auditioned for the piano in Curtis Institute, but was rejected. Simone was convinced it was rejected for being black. New York, his family moved to Philadelphia, where he tried to get a scholarship, but was also rejected by the color of their skin.
Then, Simone came to blues and jazz, having started on a nightclub in Atlantic City to help his family financially.
stage name Nina Simone adopted it in 1954, Nina (from a word in English girl) was the nickname given him a boyfriend and Simone took him by the French actress Simone Signoret, whom he had seen in the film Casque d'or.
It released a wider audience with its rendition of I Love You Porgy of George Gershwin, who became his only Top 40 hit the United States. Then would come the single My Baby Just Cares for Me (which would be a hit in 80 in England to be used in a commercial perfume Chanel No. 5).
At 60, Simone was involved in the Civil Rights Movement and recorded some political songs, including To Be Young, Gifted and Black (played later by Aretha Franklin and Donny Hathaway), Blacklash Blues, Mississippi Goddam ( in response to the murder of Medgar Evers and the terrorist attack on the church in Birmingham, Alabama, in 1963 by white supremacists and that resulted in the deaths of four black girls), I Wish I Knew How It Would Feel to be Free and Pirate Jenny , Kurt Weill, a hotel situated in the south.
In 1961, Simone recorded a version of the traditional song House of the Rising Sun, also would record after Bob Dylan and The Animals. Other songs that made it famous were I Put a Spell on You, Here Comes the Sun of The Beatles, Four Women, I Shall Be Released and Is not Got No (I Got Life). Nina's versatility as an artist is evident in all his music, which often had a simple equivalent to the trova. In the same concert, the topics ranged from a religious (gospel) to blues and jazz, on topics such as For All We Know , classic European style numbers and figures of counterpoint. In 1968 the theme Simone Sinnerman featured in Norman Jewison's film The Thomas Crown Affair , bringing its music to wider audiences. The new version of the film shot in 1999 with Pierce Brosnan and Rene Russo re-introduced to Simone. Other movies have used Sinnerman in its soundtrack, as Inland Empire by David Lynch.
In September 1970, Simone left the United States toward Barbados, after disagreements with agents, record companies and the U.S. Agency tax (Internal Revenue Service), which she attributed to racism in American society. He returned in 1978, where he was wanted for tax evasion (he had refused to pay for several years in protest of the Vietnam War), so he returned to Barbados, where he maintained a relationship with Prime Minister Errol Barrow. In the 80 sang regularly at Ronnie Scott's jazz club in London. The singer and friend of Nina, Miriam Makeba, convinced her to go to live in Liberia. Later he lived in Switzerland and Holland before settling Aix-en-Provence in southern France in 1992.
1992 saw Nina Simone's autobiography entitled I Put a Spell on You (ISBN 0-306-80525-1). In 1995, Simone's son allegedly shot his neighbor with an air pistol as their laughter did not let her concentrate.
His companions were common during this time Lepoldo Fleming (percussion), Tony Jones (bass), Paul Robinson (drums), Xavier Collados (keyboards) and musical director Al Schackman (guitar).
Nina was one of the stars of festivals such as the Nice Jazz Festival 1997, the Thessalonica Jazz Festival in 1998.
In the Guinness Blues Festival in Dublin in 1999, his daughter, Lisa Celeste, acted as "Simone", singing a duet with her mother some issues.
Simone sang with English singer Raphael and participated in two plays by Disney, singing the main themes of Aida and Nala in The Lion King .
On July 24, 1998 Nina Simone was the special guest at the party of Nelson Mandela's 80th birthday. On October 7, 1999 received an award for artistic achievement of a lifetime in Dublin.
In 2000 he received the title of Honorary Citizenship to Atlanta, the Diamond Award for Excellence in Music from the Association of African American Music in Philadelphia and the Honorable Musketeer Award from the Compagnie des Mousquetaires d'Armagnac in France.
Murió mientras dormía en Carry-le-Rouet en 2003.
de la Wikipedia.
trax
1.: Here Comes The Sun
2.: Seems I'm Never Tired Of Lovin' You
3.: To Love Somebody
4.: Since I Fell For You
5.: Suzanne
6.: I Can't See Nobody
7.: New World Coming
8.: Angel Of The Morning
9.: Do I Move You
10.: I Get Along Without You Very Well (Except Sometimes)
11.: Look Of Love
12.: Turn Me On
13.: I Want A Little Sugar In My Bowl
14.: I Loves You Porgy
Stylistically, the word that best characterizes Nina Simone's eclecticism. Her voice, with its own range of high, was characterized by passion, breathiness (voice gasping, choking, gasping for breath) and tremolo.
Duke Ellington's influence is evident throughout the work of Nina, but especially in certain types compositions full of improvisation and spiritual closeness. Nina manages the complicity of the listener with an intentional use of silence and minimizing the accompaniment. His voice sometimes slurred, but then screams and groans, conveying all the sensations that the human soul is capable of experiencing.
Great fighter for civil rights of people of African descent, fight it on many occasions expressed through his songs, Simone left the United States in 1969 after the assassination of Martin Luther King, weary of racial segregation against African Americans.
of personality complicated, came to be haughty and vulnerable, and strongly passionate. In the music industry had a reputation for temperamental, a characterization that Simone was taken very seriously. Although his personality was arrogant and aloof, in his last decades seemed to enjoy the approach to their audiences, telling stories and meeting requests.
Like other African American singers, Marian Anderson found a source of inspiration, and began singing in his local church, while showing a great talent with the piano, he started playing four years already. When it debuted publicly in a piano recital at age ten, his parents, who sat in the first row, were forced to move to other white workers occupy their places. Such conditions motivate later life to become involved in the Civil Rights Movement.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. With the support of several sponsors, including his former music teacher, he studied piano at the prestigious Juilliard School of Music in New York City, but the lack of resources prevented him from achieving his dream of becoming the first black pianist to U.S. concert. He later auditioned for the piano in Curtis Institute, but was rejected. Simone was convinced it was rejected for being black. New York, his family moved to Philadelphia, where he tried to get a scholarship, but was also rejected by the color of their skin.
Then, Simone came to blues and jazz, having started on a nightclub in Atlantic City to help his family financially.
stage name Nina Simone adopted it in 1954, Nina (from a word in English girl) was the nickname given him a boyfriend and Simone took him by the French actress Simone Signoret, whom he had seen in the film Casque d'or.
It released a wider audience with its rendition of I Love You Porgy of George Gershwin, who became his only Top 40 hit the United States. Then would come the single My Baby Just Cares for Me (which would be a hit in 80 in England to be used in a commercial perfume Chanel No. 5).
At 60, Simone was involved in the Civil Rights Movement and recorded some political songs, including To Be Young, Gifted and Black (played later by Aretha Franklin and Donny Hathaway), Blacklash Blues, Mississippi Goddam ( in response to the murder of Medgar Evers and the terrorist attack on the church in Birmingham, Alabama, in 1963 by white supremacists and that resulted in the deaths of four black girls), I Wish I Knew How It Would Feel to be Free and Pirate Jenny , Kurt Weill, a hotel situated in the south.
In 1961, Simone recorded a version of the traditional song House of the Rising Sun, also would record after Bob Dylan and The Animals. Other songs that made it famous were I Put a Spell on You, Here Comes the Sun of The Beatles, Four Women, I Shall Be Released and Is not Got No (I Got Life). Nina's versatility as an artist is evident in all his music, which often had a simple equivalent to the trova. In the same concert, the topics ranged from a religious (gospel) to blues and jazz, on topics such as For All We Know , classic European style numbers and figures of counterpoint. In 1968 the theme Simone Sinnerman featured in Norman Jewison's film The Thomas Crown Affair , bringing its music to wider audiences. The new version of the film shot in 1999 with Pierce Brosnan and Rene Russo re-introduced to Simone. Other movies have used Sinnerman in its soundtrack, as Inland Empire by David Lynch.
In September 1970, Simone left the United States toward Barbados, after disagreements with agents, record companies and the U.S. Agency tax (Internal Revenue Service), which she attributed to racism in American society. He returned in 1978, where he was wanted for tax evasion (he had refused to pay for several years in protest of the Vietnam War), so he returned to Barbados, where he maintained a relationship with Prime Minister Errol Barrow. In the 80 sang regularly at Ronnie Scott's jazz club in London. The singer and friend of Nina, Miriam Makeba, convinced her to go to live in Liberia. Later he lived in Switzerland and Holland before settling Aix-en-Provence in southern France in 1992.
1992 saw Nina Simone's autobiography entitled I Put a Spell on You (ISBN 0-306-80525-1). In 1995, Simone's son allegedly shot his neighbor with an air pistol as their laughter did not let her concentrate.
His companions were common during this time Lepoldo Fleming (percussion), Tony Jones (bass), Paul Robinson (drums), Xavier Collados (keyboards) and musical director Al Schackman (guitar).
Nina was one of the stars of festivals such as the Nice Jazz Festival 1997, the Thessalonica Jazz Festival in 1998.
In the Guinness Blues Festival in Dublin in 1999, his daughter, Lisa Celeste, acted as "Simone", singing a duet with her mother some issues.
Simone sang with English singer Raphael and participated in two plays by Disney, singing the main themes of Aida and Nala in The Lion King .
On July 24, 1998 Nina Simone was the special guest at the party of Nelson Mandela's 80th birthday. On October 7, 1999 received an award for artistic achievement of a lifetime in Dublin.
In 2000 he received the title of Honorary Citizenship to Atlanta, the Diamond Award for Excellence in Music from the Association of African American Music in Philadelphia and the Honorable Musketeer Award from the Compagnie des Mousquetaires d'Armagnac in France.
Murió mientras dormía en Carry-le-Rouet en 2003.
de la Wikipedia.
trax
1.: Here Comes The Sun
2.: Seems I'm Never Tired Of Lovin' You
3.: To Love Somebody
4.: Since I Fell For You
5.: Suzanne
6.: I Can't See Nobody
7.: New World Coming
8.: Angel Of The Morning
9.: Do I Move You
10.: I Get Along Without You Very Well (Except Sometimes)
11.: Look Of Love
12.: Turn Me On
13.: I Want A Little Sugar In My Bowl
14.: I Loves You Porgy
Friday, February 4, 2011
20 Questions Online Flash
Carlos Martins, "Passagem" (1997).
Carlos Martins is considered the most gifted saxophonist who has come out of Portugal. Born in 1961, Martins is behind an impressive career. As a young man played the clarinet in the Philharmonic Banda Grândola while studying at the Conservatorio Nacional de Lisboa. A founding member of Quintet Maria João and Lisbon Sextet Jazz, worked with American jazz luminaries such as Ralph Peterson Jr., John Stubblefield and Bill Goodwin, and presented at major festivals in Portugal alongside the giants international jazz. Currently a professor at the Escola de Jazz do Hot Club de Portugal, Carlos writes constantly to the theater film and ballet, leads his own quintet and participate in the Orchestra da Lusofonia Sons. Passagem
In the first international launch of Martins, saxophonist presents his music surrounded by a quartet of stars, among whom are included Portugal's most outstanding musicians, Bernardo Sassetti and Carlos Barretto. The band is completed with the American drummer Cindy Blackman, who is well known to American audiences for his recordings with Wallace Roney, Jackie Terrasson, Gary Thomas, Christian McBride, Mulgrew Miller, Ron Carter, Kenny Garrett, Don Braden, Terell Stafford and many others.
Track Listings:
1. Sofia
2. Baaba M'blue Mali
3. Duo
4. A
Wait 5. Working
Blues 6. Round Trip
7. Present Passado
8. I Trust On You
9. Sophisticated Lady
10. Naif
Personnel: Carlos Martins
ts, ss
Bernardo Sassetti p
Carlos Barreto b Cindy Blackman dr
Total time: 57'46
Recorded: Feb. 1995
Label: Enja
In the first international launch of Martins, saxophonist presents his music surrounded by a quartet of stars, among whom are included Portugal's most outstanding musicians, Bernardo Sassetti and Carlos Barretto. The band is completed with the American drummer Cindy Blackman, who is well known to American audiences for his recordings with Wallace Roney, Jackie Terrasson, Gary Thomas, Christian McBride, Mulgrew Miller, Ron Carter, Kenny Garrett, Don Braden, Terell Stafford and many others.
Track Listings:
1. Sofia
2. Baaba M'blue Mali
3. Duo
4. A
Wait 5. Working
Blues 6. Round Trip
7. Present Passado
8. I Trust On You
9. Sophisticated Lady
10. Naif
Personnel: Carlos Martins
ts, ss
Bernardo Sassetti p
Carlos Barreto b Cindy Blackman dr
Total time: 57'46
Recorded: Feb. 1995
Label: Enja
Find A Song By Describing
En souvenir de Voyou, mon chat Siamois.
 |
| When we Thugs have adopted, it was tiny with a very light coat very blue eyes and a hoarse voice. later my daughter had a Siamese cat Herbie |
Wednesday, February 2, 2011
Can I Use A Steam Mop On Walls
Plaisir de lire
Stephane Hessel's book "unworthy you" is, in fact, very short and presents more problems than solutions
I find that man a beaucoup de merite
et c'est assez troublant de connaitre son passe dans la resistance
Le voir a 94 ans souriant et tres actif est un bon example
Max Gallo is a French writer born in Nice
He adopted a style literary he calls "fiction-History," by working with historic resources and supplementing his writing so as romantic and add their personal experience and feelings .
"The Patriots" is a romantic suite from 1936 to 1945, during World War II
Through this series I understand much better the past
I find that man a beaucoup de merite
et c'est assez troublant de connaitre son passe dans la resistance
Le voir a 94 ans souriant et tres actif est un bon example
Max Gallo is a French writer born in Nice
He adopted a style literary he calls "fiction-History," by working with historic resources and supplementing his writing so as romantic and add their personal experience and feelings .
"The Patriots" is a romantic suite from 1936 to 1945, during World War II
Through this series I understand much better the past
Tuesday, February 1, 2011
Cervical Mucus Day 23
Helen Merrill, "Helen Merrill in Italy" (s/f. circa 1961)
After successful the Parole e Musica the great Helen in the sacred territory of the tremendous nephew Diego, our visitor Adam informed us vía comments que él poseía una edición que incluía todos los mismos temas, sin el recitado italiano, y que traía además otras pistas de los tiempos de la estadía de la Merrill en Italia. Le pedí que nos la mandase, y aquí está; la mayoría de esos "bonus tracks" no se encuentran en ninguna otra edición de la gran Helen, por lo cual le estamos doblemente agradecidos (el sobrino Diego y el tío Carlos) al gran amigo Adam. ¡Mil gracias!
tracks
1. Night & Day
2. Everything Happens to Me
3. Autumn in New York
4. Why Don't You Do Right
5. You Don't Know What Love Is
6. These Foolish Things
7. April in Paris
8. I've Got You Under My Skin
9.
Solitude 10. Willow Weep for Me
11. When Your Lover Has Gone
12. Estate
13. Mondo Nessuno to
14. Nun e'Peccato
15. Tardi S'e'Fatto
16. My Only Man
17. Dawn
tracks
1. Night & Day
2. Everything Happens to Me
3. Autumn in New York
4. Why Don't You Do Right
5. You Don't Know What Love Is
6. These Foolish Things
7. April in Paris
8. I've Got You Under My Skin
9.
Solitude 10. Willow Weep for Me
11. When Your Lover Has Gone
12. Estate
13. Mondo Nessuno to
14. Nun e'Peccato
15. Tardi S'e'Fatto
16. My Only Man
17. Dawn
Sore Neck Shoulders And Spine
Helen Merrill, "The Brazilian Side of Helen Merrill" (Seleçâo Edson Mendes).
Helen Merrill is one of the greatest stylists of jazz, her voice cool , great sensitivity, a repertoire wonderful and a recording career that has unfolded over more than 6 decades.
Merrill's real name is Jelena Ana Milcetic. Born in New York in 1930, Croatian immigrant parents, and began singing in jazz clubs at age 14. In 1954 he recorded the first of its 50 discs.
He toured worldwide and is known especially in Italy and Japan, where he lived for some years.
During his long career was closely linked to Brazilian music, always including Brazilian themes in their recordings. The way of singing of Helen is very close to the rhythm of the bossa-nova, although his accent in Portuguese is not very good.
Here is a selection of some of his songs "Brazilian." Edson Mendes
Seleção
Tracks
01 Antonio's Song (Michael Franks)
02 A man and a woman (Lai - Barouh - Keller) 03
drinking water (AC Jobim - Vinicius de Moraes) 04
strong House (Edu Lobo) 05
Charade (Henry Mancini - Johnny Mercer) 06
So many stars (Sergio Mendes - Marilyn B. Allen)
07 Folly (AC Jobim - Vinicius de Moraes) 08
Fly Me to the Moon (Bart Howard)
09 Corcovado (AC Jobim) 10
One Note Samba (AC Jobim - Vinicius de Moraes )
11 Garota de Ipanema (AC Jobim - Vinicius de Moraes) 12
Morning of Carnaval (Luiz Bonfa - Antonio Maria) 13
The singer (Dori Cayman - Nelson Motta) 14 Sinjite
Itai (Miyagawa - Tsukada)
15 The Shadow of Your Smile (Mandel - Webster)
16 Wave (AC Jobim)
Merrill's real name is Jelena Ana Milcetic. Born in New York in 1930, Croatian immigrant parents, and began singing in jazz clubs at age 14. In 1954 he recorded the first of its 50 discs.
He toured worldwide and is known especially in Italy and Japan, where he lived for some years.
During his long career was closely linked to Brazilian music, always including Brazilian themes in their recordings. The way of singing of Helen is very close to the rhythm of the bossa-nova, although his accent in Portuguese is not very good.
Here is a selection of some of his songs "Brazilian." Edson Mendes
Seleção
Tracks
01 Antonio's Song (Michael Franks)
02 A man and a woman (Lai - Barouh - Keller) 03
drinking water (AC Jobim - Vinicius de Moraes) 04
strong House (Edu Lobo) 05
Charade (Henry Mancini - Johnny Mercer) 06
So many stars (Sergio Mendes - Marilyn B. Allen)
07 Folly (AC Jobim - Vinicius de Moraes) 08
Fly Me to the Moon (Bart Howard)
09 Corcovado (AC Jobim) 10
One Note Samba (AC Jobim - Vinicius de Moraes )
11 Garota de Ipanema (AC Jobim - Vinicius de Moraes) 12
Morning of Carnaval (Luiz Bonfa - Antonio Maria) 13
The singer (Dori Cayman - Nelson Motta) 14 Sinjite
Itai (Miyagawa - Tsukada)
15 The Shadow of Your Smile (Mandel - Webster)
16 Wave (AC Jobim)
Subscribe to:
Posts (Atom)